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Every material has an active presence and every material is susceptible to change. The task of the sculptor is to understand the natural properties of a chosen material, to know in the process of creation how best to work with, or against, its characteristics. In this generously illustrated studio manual, sculptor Oliver Andrews takes a new approach to sculpture, focusing on how the innate assertiveness of materials affects the complex act of making a sculpture.
- Sales Rank: #583968 in Books
- Published on: 1988-09-23
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x 1.00" w x 8.00" l, 1.97 pounds
- Binding: Paperback
- 348 pages
- Oliver Andrews, Living Materials: A Sculptor's Handbook
Review
"Concisely presents an impressive amount of information. Many photographs illustrate tools and procedures as well as examples of finished sculptures. . . Useful in universities, art schools, and museums."--"Library Journal
From the Back Cover
In this book I try to show how this assertiveness of materials interacts with the will of the artist in the complex process called 'making a sculpture.'
About the Author
The late Oliver Andrews was a sculptor and Professor of Art at the University of California, Los Angeles.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Detailed and insightful reference for creatives and craft persons!
By marta gonzalez-stitts
Detailed, written well and insightful. Great for craft person, artist and tinkerer. I reference it continually!
33 of 33 people found the following review helpful.
Good, but dated
By A Customer
The good news is that this is probably the best book available on the materials of sculpture. The bad new is that it was written twenty years ago. (This paperback edition may have been published in 1988, but AFAIK, the text was unchanged from the original 1983 version.)
If you are interested in traditional forms, then this book probably covers everything you need. But if you want information on any materials and/or techniques that came into use post-1970's, you're out of luck. Plastics are a good example: urethane and silicone molding rubbers are given a cursory mention, even though they are quite common now. I don't think polyurethane casting resins (Por-a-kast, Poly 15, etc.) or polyurethane glues (Gorilla Glue, ProBond, etc.) are mentioned at all.
The wood section is surprisingly thin, with a bias toward subtractive methods (carving), even though wood construction is as common--if not more common--in contemporary work.
While there are plenty of photos (all black and white) of classic sculptures, there are a lot of unbelievably bad pieces illustrated--probably chosen for their materials rather than quality. Some are downright hideous.
This is a good resource, but be aware that it is no longer comprehensive.
24 of 27 people found the following review helpful.
supurb book that covers both modern and antique materials
By A Customer
This is a supurb reference book for a working sculptor. It covers stone and wood carving, as well as most major 20th century materials, from plastics to masonry to metal fabrication techniques. Nothing on fabrics or paper though. The illustrations are exciting and fairly thorough, with an emphasis is on innovative work. This is the one book I would want to take with me if shipwrecked on a desert island!
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